Your Role
THE GAME MASTER The Game Master is the worldspinner, the all-wise, the ventriloquist. You are the deadly pit trap and the assassin in the night. You are the storm. The army. The gods. You hold ultimate power. Yet you only want one thing: to see your players triumph. So you craft malevolent villains worth defeating. You sculpt marvelous treasures worth stealing. You fill the world with rot, darkness, and death so it can be driven back by sword, spell, and flame. Through this, you offer an invitation. You propose it loudly with roaring dragons, humbly with helpless villagers, secretly with hidden treasure maps. You call the players to adventure. And they answer. THE ONLY RULE The Only Rule is that you make the rules. What's written in this book is a guide, not a constraint, and none of it takes precedence over your judgment. If something doesn't work at your table, change it or throw it out and don't look back. THE PACT You and your players are gaming together to have fun, prop each other up, and strengthen bonds. This is The Pact. The Pact is often unspoken and unseen, but it is always felt. It is based on goodwill, respect, and fellowship. Its enemies are selfishness, antagonism, and arrogance. Decisions made to defend The Pact are always good ones. Your Role
The Players ADVENTURE HOOKS When you give adventure hooks to the characters, you're actually encouraging the players to grab onto those threads. While you can't expect your players to take every hook, you can make a call to adventure more enticing by knowing what your players want. Player motivations generally fall into the following categories. Powerful adventure hooks contain elements of all three. Reward. Players want more treasure and XP to make their characters stronger. Heroism. Players want to right wrongs, save the day, or make a name for their characters. This is especially true for players who love role-playing. Discovery. Much like solving a mystery, players want to know why a problem or location exists and what secrets it hides. THE AUDIENCE The players are the real audience to the game's story, not the characters. Lean into this! For example, the players might be in great suspense because you just rolled a random encounter check in front of them. Similar to a horror movie where the audience watches a murderer slink toward the main character, the suspense comes from the players not knowing what is about to happen. DRAMATIC QUESTION Most encounters have a simple yes/no question driving the interest. When that question is answered, the encounter is no longer exciting to the players, and it's time to move forward. Dramatic questions are not always obvious. The question for an encounter with a troll guarding a bridge is not whether the characters can kill the troll, but whether they can get across!